
Opening track Plumage is an immediate, upbeat and catchy reintroduction, complete with handclaps, fuzz guitar, arpeggiated synths and quirky lyrics; "I once was tragically hip and beautifully fine, now my beautiful hips are tragically wide." Capsule begins with a sleazy strummed guitar on maximum overdrive before being snatched away and replaced with a stuttering beat and tight bassline. In just over four minutes the track incorporates blues influenced chords, lush piano, booming sub-bass, prog-rock breakdowns complete with woodwind flourishes and more of those quirky lyrics; "no more trophies as the consolation fantasy, like a nervous random stranger at a gloryhole." There isn't a single song here that doesn't showcase something new or reinforce the band's knack for left-field songwriting and composition.
Standout tracks include the emotive lead single Heavy is as Heavy Does, which gradually builds with intensity to an epic climax, the theatrical and twisted Don't Mess With Latexas and the stunning and sublime closer One Horse which features cinematic string arrangements and sombre lyrics; "you always drank alone, you were a one-horse town." Across ten tracks Moms not only reminds us of all the things that previously made Menomena such a special band but armed with a more organically cohesive and confidant approach to recording they have managed to step into new territory and completely own it. It's extremely exciting to see a band maintain such a consistant level of brilliance in their output and judging by this latest LP Menomena are certainly one of the most talented and unique acts around.