Henry's Dress were a lo-fi noise pop trio hailing from Albuquerque, New Mexico, signed to Slumberland Records and only officially active for three years between 1993 and 1996. In that time they released a few split singles with Flake, Tiger Trap and Rocketship, (whom they also toured with) as well as releasing one full length LP titled Bust 'Em Green. The band consisted of singer/guitarist Amy Linton, singer/guitarist/drummer Matt Hartman and bassist Hayyim Sanchez. Following the band's dissolution, Linton went on to front Aisler's Set, another great band worth looking up, and Hartman is currently part of Sic Alps. I highly recommend checking out Henry's Dress, especially their energetic LP Bust 'Em Green. Listen to one of the songs from the album below and head on over to their myspace page:
Showing posts with label slumberland records. Show all posts
Showing posts with label slumberland records. Show all posts
Sunday, 5 December 2010
Spotlight On: Henry's Dress
Henry's Dress were a lo-fi noise pop trio hailing from Albuquerque, New Mexico, signed to Slumberland Records and only officially active for three years between 1993 and 1996. In that time they released a few split singles with Flake, Tiger Trap and Rocketship, (whom they also toured with) as well as releasing one full length LP titled Bust 'Em Green. The band consisted of singer/guitarist Amy Linton, singer/guitarist/drummer Matt Hartman and bassist Hayyim Sanchez. Following the band's dissolution, Linton went on to front Aisler's Set, another great band worth looking up, and Hartman is currently part of Sic Alps. I highly recommend checking out Henry's Dress, especially their energetic LP Bust 'Em Green. Listen to one of the songs from the album below and head on over to their myspace page:Friday, 3 December 2010
Album Review: Weekend - Sports
Sports is the debut album by San Fransisco band Weekend, formed in late 2009 and signed to Slumberland Records (the same label that put out such great bands as Lilys and Black Tambourine in the early 90s) the trio offer up 11 tracks of post-punk noise that sounds best when they're not simultaneously ripping off Joy Division and The Jesus And Mary Chain.Opening track and first single 'Coma Summer' is a completely blissed-out slice of distorted feedback-howling shoegaze pop, propelled by a pounding beat enveloped in dangerously reverberating vocals and guitars that sound like buzz saws threatening to tear away at your ears as lead singer Shaun Durkan casually sings "I awoke from a coma summer/And I found you/I awoke from a coma summer/Tell me you're true." It's so perfect in its eargasm-inducing sensory overload that the album blows its load too soon and never reaches the same gratifying peak across the remaining forty minutes. Durkan puts on his best Ian Curtis impression for second track 'Youth Haunts,' but as is the case with much of the album the buried vocals lose some of their impact when they are not tethered to a strong melody. 'Coma Summer' works so brilliantly because the contrasting elements create a cohesive balance that's instantly engaging and engrossing, and the only other track on here that comes close to reaching the same level of compositional harmony is 'End Times,' with its catchy bass riff and strong vocal hook riding a steady rhythm as waves of guitar noise swell into each other underneath. 'Monday Morning' is a great drone piece that could have been expanded; I'd definitely like to see the band do more of this, and 'Monongah, WV' takes drone influences and successfully injects them into a rousing punk number. Apart from these aforementioned highlights the album is quite a murky, disjointed affair that could have benefited from stronger production but nonetheless, the highlights are so good that I would still recommend it and I greatly look forward to the band's future output. Check out 'Coma Summer' below and be prepared to put it on repeat:
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